SPAGNOLETTA NUOVA

MOVEMENT I

Sequence A

Riverenza

4 Spezzati LRLR -- partners should be turned shoulder to shoulder facing opposite direction

4 Passi Presti LRLR -- pivot on last to face partner

Sequence B

2 Riprese L -- in circle with partner

2 Trabuchetti LR

Semidoppio L -- in own circle, away from partner 

2 Riprese R -- in circle with partner

2 Trabuchetti RL

Semidoppio R -- in own circle, away from partner

Sequence C

Saffice fiancheggiate L -- pivot on L foot, clockwise at end

Saffice flancheggiate R

4 Corinth L -- back toward partner, shoulder to shoulder, facing opposite 

Saffice fiancheggiate R -- pivot on R foot, counterclockwise, at end

Saffice fiancheggiate L

4 Corinth R -- back towards partner, shoulder to shoulder, facing opposite

MOVEMENT II

Sequence D

2 Spezzati LR -- in own large circle, counterclockwise

2 Passi presti LR

Saffice L -- away from partner

2 Spezzati RL -- in own large circle, clockwise

2 Passi presti RL

Saffice R -- toward partner

Sequence B

2 Riprese L -- in circle with partner

2 Trabuchetti LR

Semidoppio L -- in own circle, away from partner 

2 Riprese R -- in circle with partner

2 Trabuchetti RL

Semidoppio R -- in own circle, away from partner

Sequence C

Saffice fiancheggiate L -- pivot on L foot, clockwise at end

Saffice fiancheggiate R

4 Corinth L -- back toward partner, shoulder to shoulder, facing opposite 

Saffice fiancheggiate R -- pivot on R foot, counterclockwise, at end

Saffice fiancheggiate L

4 Corinth R -- back towards partner, shoulder to shoulder, facing opposite

MOVEMENT III

Sequence E

2 Passi gravi LR 

2 Trabuchetti LR

Saffice L

2 Passi gravi RL 

2 Trabuchetti RL

Saffice R

Sequence F

2 Riprese L -- turning counterclockwise, back to back with partner 

2 Trabuchetti LR

4 Corinth L

2 Riprese R

2 Trabuchetti RL

4 Corinth R -- pivoting on last 2 to face partner

Sequence G

2 Saffice fiancheggiati LR -- pivot on first one, as above 

3 Passi puntati LRL -- moving toward partner

Riverenza

Note: Sequences B and C, taken together, are the "chorus", and F and G are a variation of it. Thinking of the dance in this way makes it somewhat easier to remember.